Dami Ajayi
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Tag Archive for: Dami Ajayi

Tuesday Poem by Sheikha A.

17 September 2019/in Tuesday Poetry

An-Nur Al-Ain: Nakheelun Jameel

When Medina was being blessed like a land that awaits
respite after being trampled on, people stood like nakheels,

backs confident in their verses of loyalty. Shoulders
prostrated like they were the knees for that hour, palms

joined as if in a meeting of destinies. The first call
of obedience is the Azaan. The order that ensues

is the striking of the sun’s light against waning traces
of darkness. We will sing the Sana’a in the early calm,

like the way the Holy One was greeted, by joyous
feet skipping in their sandals that no longer feel the hot

skin of the sand. A caravan was formed:
nakheels, the dutiful, the shaheed, the haters of drum-rolls;

they place their hips on the ground in the way
of pressing their ears to the sounds of fallacy, the trance

of gushing khamar. And like how jamals walk in rows,
nakheels grow close to their brothers. They gather

seeds at the base of their roots, protecting what is
that shall ultimately sprout as what was. Ancestry is

like a battleground where men on opposing ends
stand in eternal waiting, listening to the tambourine

jingle like the dainty waist of a slave. The silent footsteps
of the man, weaving a crowd of men, his light a force

of the star of heaven, born much before the advent
of earth. Holy One, where you stand, jabals convert

to toors; your call awakens extinguished flames,
and riddles the silence with a gap, long just enough

to not be prolonged, short just enough to be conditioned.
This is probably how we learn shukr: an act of continuance,

an act of a mended tasbeeh, an act of an aging nakheel.
The tamars are plucked, ripe/unripe, they know their growth

is under the direct rays of a teaching sun. My hips
are the rose bearing splinters in its stem. I wait

for the sky to turn into a land of crimson grass; the moment
when walls will mean truce; a Single Breath will handle

us like a process of dispersal; we shall find our ordained
ground; we shall peel the shell of our seed; the soil will part;

we shall line in rows; convert to roots; grow until our fronds
can no longer feed the generations lessons of praise;

that will be then; the time of brown hisaans arriving
at our doors, their rikaabs awaiting our grasp, and their backs

of jewelled saddles calling us to sit on our designated throne.
The call will be sacred. The hand on the other side, nurturing.

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Tuesday Poem by Dami Àjàyí

29 July 2019/in Tuesday Poetry

The living have stepped out of the threshold, stepped into the shoes of those who don’t change clothes, those who don’t bathe, those who don’t fart or burp, those who don’t cough or lose weight, those who don’t carry wounds, flies and shame alongside their family name.

The living can draw a last breath to join the dead. The dead don’t preen over social convention like cavernous nostrils as anterooms for drainflies. The dead don’t bother the living about healthy living. The dead don’t say; the dead are to those we pray. & pour libations. They are better than us, ancestors, whose crooked paths on earth we may have measured with our cynicism.

They are better than us now. The ones who have crossed the threshold to join the gods to become gods. This afternoon, you walked out of a journey & took to another journey. Goodnight, Uncle Babalola. Yours was an unknowable path. Yours was with iconoclastic tact. Yours was a life measured out with your own teaspoon, on your own terms.

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Tuesday Poem by Dami Ajayi

18 June 2019/in Tuesday Poetry

(For D.B)

Some study the cartography of their face
for doctorates in vanity.

Look into the mirror,
see what you’ve become.

We made faces at our mirror reflections
before we invented selfies.

See pustules once swollen,
pregnant with martyred leukocytes and pus.

See blackhead, whitehead, comedones
if my dermatology posting still serves.

Rub one of the eighty-four plus minor monuments
dotting your face.

Time has made an Enwonwu
of your post-pubertal face.

Integuments are entanglements
that do not navigate the soul shuttle

& I see beyond this graffiti of acne
that is your face.

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Tuesday Poem by Dami Ajayi

19 March 2019/in Tuesday Poetry

BIRTHDAY ELEGY

(For the ET 302 157 & other victims)

1.
& what poem shall we give
to comfort the girl by the windowsill
awaiting her father’s impossible return?

What poetry shall reinstate the
tentative smile of a husband
that becomes his final?

When ephemeral farewells acquire permanence,
poets must shut up
& commit to silence.

2.
But silence is a treacherous thing,
even if words fail.
Silence is duplicitous, without presence.
Silence is being complicit,
resigned to fate as a deckhand.
Silence is too fatal an act
for a poet to commit.

3.
A plane stumbled & fell at Bishoftu
on my 33rd birthday.
Bodies, blood and blurry memories
redacted the felicity of vain numbering
& here I lie wounded by grief,
contemplating my humanity in silence.

4.
Emmanuel says 33 is good age to go
or dare to dream.

I acquiesce,
but I ask if dying is for the dead
as it is for the living.

Then I dare to dream…

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Album Review: Show Dem Camp’s Palmwine Music Vol. 1
1 November 2018/in Reviews

Show Dem Camp, the rappers, duo of Tec and Ghost, dropped their biggest hit till date, Feel Alright, in 2013. Produced by Ghanaian soundsmith, Juls, Feel Alright was an exceptional throwback song with sensual lyrics and prominent guitar picks. Genre-wise, it was doing something different: straddling sounds and generations, bringing the happy vibe of Palmwine Highlife sound with the insouciant and improvisational nature of hip-hop.

Fast forward to mid-2017 and it is surprising that SDC announced the release date of yet another project, Palmwine Music Vol 1. Their diehard fans haven’t had enough of the VOL 3 of Clone Wars dropped on the last day of last year and yet, new music has been earmarked for the radio waves.

Palmwine Music Vol 1 is an Extended Play album of seven tracks (six songs and one skit)  produced entirely by Spax and featuring  Funbi, AjeButter 2.0, Odunsi The Engine, LadiPoe, Tomi Thomas and BOJ.  BOJ does the hook on two songs, ‘Compose’ and ‘Popping Again’, the only crooner on two songs, perhaps because his chemistry with SDC has been tested and trusted since Feel Alright.

At 23 minutes, Palmwine Music is a sonic teaser, hardly lasting long enough for you to form impression. But, then again, letting music playing undisturbed for the EP’s duration means it must be some ear candy.

Palmwine Music is not entirely a new innovation. It derives a lot of its texture from palmwine highlife, a variant of highlife popular in many West African coastal towns and cities where the guitar leads the music. This kind of music is remarkable for its low to mid-tempo, positive vibes and soothing pleasure. Even Fela, a lover of brass, indulged in some Palmwine Highlife, recorded at about the peak of his career.

SDC’s Palmwine Music borrows from this Palmwine Highlife tendency. It presents itself as a coastal city easy-listening contemporary album. Imagine a sound that tries to be a sponge soaking a megacity’s stress, that lures your attention to details antithetical to stress. These details should go without saying but here is a small inventory: party, booze, beach sand, horizons, coastline, beautiful and full-bodied women and, most importantly, love and lust. SDC’s recipe comprises of catchy hooks, digital sonic production laced with exciting live instrumentation and delightful rap.

The Funbi assisted on ‘Up 2 U’ is reminiscent of Wizkid’s On Top Your Matter and SDC’s Feel Alright. Feel Alright still remains the prototype song for Palmwine Music, so that almost every song on this project is influenced by it.

It is noteworthy that every song features a crooner or two. The duo of Tec and Ghost are perhaps too hardcore to sing Palmwine hooks, hence the album has a more collaborative feel. BOJ delivers on ‘Compose’ and ‘Popping Again’ even if ‘Compose’ is magical for only it Afrobeat ambitions. On ‘She Wants More’, the status quo of evenly matched duo is upset when Ghost drops a quartet of complex rhymes. That this album is made for easy listening doesn’t mean these rappers intended to drop the ball. A serious attitude pervades the entire album and their rhymes might be a tad too heavy for feel-good music. Or perhaps we have been spoilt by Nigerian standards.

It has been seven years plus of meaningful music from the Show Dem Camp duo. Their sound and expressions draws so much from our Lagos realities and even more, gives us our realities back as mastered copies.

There is however the trivial matter of how this sound seems suited for the bourgeois, swanky, upwardly-mobile, well-adjusted, cosmopolitan Nigerian. But, in its defense, sound is not, and cannot, be exclusive; it is free in the air.

You now rocking with SDC…and if you don’t know the response to this call, you may be wrong

 

 

 

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Tuesday Poem by Dami Ajayi

22 August 2017/in Tuesday Poetry

At age 9, he spat out his first sip of lager

on the face of a bewildered mum

whose response was laughter.

 

He swallowed his second sip six years later

with some difficulty, he did not want his peers

to laugh at him.

 

His third sip was from the second bottle

he bought, his first fell from trembling hands

& hit the ground with a thud.

 

He could not remember his fourth, fifth or sixth sip;

they happened so fast, they became

an intensely pleasurable gulp

 

& once he set the bottle to his mouth

that was where it stayed,

shaping things around him.

 

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FICTION: The Night They Came

10 July 2017/in Tuesday Poetry

I can not remember which came first: the noise, the gunshots, the stampede of shoes kiting in different directions, shrills of female members cutting the air, the piercing response of anguish of those shot, those who fell, their inevitable thud as they hit the ground.

No one saw their faces or remembered their exact number, but one thing was for sure—death had visited us in the company of his kinsmen. I advanced toward a transparent glass and watched my reflection rush towards me before I rammed into the glass and it shattered. I felt no pain, just a pricking desire to live, just a gnawing resolve to amble towards safety; my feet quickened towards the wrought iron partition that separated Awolowo Hall from the steeply-bent road that led down to Mozambique Hall. My feet shot up from the ground, unperturbed by the inertia of jumping down.

Then I remembered Ify.

*

The sun was reluctant to set. The darkening clouds washed over it at a hurried pace, but the brown sun would emerge at the end of the clouds, victorious, vindictive, like Evi.

I looked at him, imploringly, pleadingly; my eyes bent low to meet his gaze only halfway, my mien that of a meek favour-seeking cat but he remained resolute, lips thinned out, as he paid his glass of Chapman his utmost attention.

“Look, Ify. You can make faces all you like. You are not attending that gyration. There is no way you will become a keggite and remain my girlfriend. You have to make a choice. It is either palmwine or I…”

“But Evie”, I said, my face drawn out like a morose mongrel, “How can you ask me to pick between you or Palmwine? Do we always have to come to the point? Do I always have to make a compromise? You asked me to severe my ties with Dayo. I did. Now you don’t want me to join Keggites. And you are being unreasonable about it. You didn’t even ask me what I want with them.”

“What exactly are you saying, Ify? You are a medical student in 100 level, always remember that and also remember that you met me in this school. I was like you five years ago, thanks to ASUU. Fresh out of secondary school. A bloody Jambito interested in everything. I wanted to play drums for CASOR. I wanted to sing Tenor in a secular Acapella group. I wanted to recite poetry at Pit Theatre. I wanted to have the best result in CHM 101. I wanted to join Alpha Club. I nearly failed CHM. I had a 50 Pass in Chemistry. 50. I was this close to failure. This”, Evi inched his thumb and forefinger towards each other, leaving just a gap to drive home his point.

“I am not you o!”

“Yes you are not. But you have heard my final word on this matter.”

Evi was quiet but his legs trembled. He brought out a white hankie and wiped sweat off his forehead. He wiped his glasses with the moistened hankie till he was satisfied. Then he put on his glasses, downed his drink in one gulp and left.

I sat on the concrete seat in Rotunda bar; tear droplets filled my eyes as I watched him walk out of my life again.

*

Ify wanted medicine, but she settled for Dentistry when her name came out in the last batch of Supplementary List on the afternoon we matriculated.

She paced about the Faculty Notice board that afternoon, waiting for the list to be pasted, but under the pretence of obtaining the Matriculation gown whenever anybody asked what she was doing at the Faculty.

She could not lie to me. I was me. Her best buddy. Dayo, the keeper of seats at morning lectures in Ajose Lecture Theatre. Dayo, the religious sponsor of lunch at the Health Sciences Canteen. I was Dayo, the dude who always made an extra photocopy on her behalf. I was Dayo, her Jambito boyfriend like her friends liked to call me.

“Calm down, Ify. They will paste it soon enough”, I said but I wasn’t sure I sounded convinced myself, my matriculation gown neatly arranged in the crook of my elbow.

Ify continued to pace. She mumbled words, spoke tongues, and committed her admission to the divine court, decreed against every extraterrestrial force interested in being an impediment, breaking their yokes, losing their hold, banishing their interests, trembling all over.

“God is control”, I said, “Aren’t you hungry? Let’s go and chow. By the time we eat, they should have pasted it, and then we will go to Amphi”.

“Look Dayo, leave me alone. I am talking about my future; you are talking about food”, She closed her eyes in total submission to His will.

I stood up from the desk I leaned on and walked towards her. She smelt of a flowery fragrance. She wore a short Ankara dress that embraced her bust and emphasized it. She was so light-skinned she could have been a goddess.

I hugged her. I told her everything will be fine.

*

On any given Friday night, Moz Hall was like a city mall, milling with a throng of prospective shoppers, well-dressed guys and under-dressed ladies holding hands, music blasting from hired speakers advertising upcoming campus events, wide-eyed porters loosely on guard, waiting for ten p.m so that they could fastened their padlocks on the hostel gates and sleep in turns.

Today was not much different. Cece Winan’s It Wasn’t Easy competed with Britney Spears’ Sometimes in very loud decibels at the Hall entrance while Evi and I held hands in silence as we walked towards Awo Hall.

Evi’s silence was eerie but the grip of my fingers was reassuring. A cold blast of wind blew, yellowy leaves rustled and fluttered to the ground. Evi cinched his grip around my fingers, never letting go, up to the point where his grip was a tad hurting. I winced and he looked at me. I saw his brown eyes behind his geek glasses. He had been long-sighted for as long as he could remember.

“Evi”, I called

“Ehnn”, his response.

“Why are you in such a hurry to go now? Let’s seat for sometime”, I pulled him toward the Moz Bus Park which hardly served that purpose. It was better known as the Lover Spot. Couples paired up under the canopy of corrugated iron sheets, sat on cement pavements, held hands, laughed, locked eyes sometimes.

“Ify. I can’t. I told you I have two weeks to Combined Incourse exams.” He looked at my sullen face, “Okay, I will wait for like five minutes”.

We sat. I leaned on him. He took off his glasses and gasped, and then he began to wipe them religiously again with a white hankie.

I snatched his glasses, put them on and made a face. He smiled.

“I love you”, he said looking into my eyes, oblivious of a young man’s scoff as he walked by. The young man was dressed in a green sleeveless fabric, the unmistakable regalia of Keggites. The young man was Dayo, heading for the Gyration at Awo Café.

***

Things stopped being the same between Ify and I after she met that bespectacled buffoon who was way up our senior. She didn’t hide the fact that she liked me. She toyed with indecisiveness of a teenager who wouldn’t make up her mind. She wanted my friendship, but she didn’t want my kisses. She wanted me to keep seats for her in class, but she didn’t want me to visit her hostel every evening.

But I liked her, or should I say, I was fascinated about her oddities, her contradictions. She liked being sought after but she wouldn’t commit. She liked God but did not like Campus Fellowships. She prayed only in strange tongues. She carried a small make-up purse around but favoured a big bible. She liked short decent dresses. She liked palmwine. She wanted to be a keggite.

The first sign of trouble was on matriculation day. I went to Ify’s room that evening to take her to the freshmen’s party organized in town as we had agreed earlier. A bespectacled man sat on her bed; she sat leisurely on the small strip of rug between his feet, her photo-album sprawled open on her intertwined legs. She swallowed a chuckle when she saw me and then managed a smile.

“Hey Dayo, what’s up?” She said.

“I am fine. What’s up? We’re already late or have you changed your mind about the party?”

She stood up with a start and scratched her weave vigorously. Then she said, “Meet my friend, Eviano. Part Four Medicine.”

“Hello”, I shook the bespectacled guy’s outstretched hand; he screwed up his nose and adjudged me from behind his frames.

“How are you?” he asked.

I looked at Ify’s eyes and found what I sought in them missing.

“Ify, alright, we see later”, I got up and left, but I registered my anger by slamming the door.

***

“Ify, I got to go now”, Evi said. He stood abruptly and detached himself from my embrace.

I was startled, then surprised and then saddened by the briskness of his actions, by his selfish dedication to his books. After all he was not the only student in Ife; he was clearly not going to be the first doctor who would graduate from the prestigious College of Health Sciences. But secretly, I liked his seriousness, his obstinacy with his focus. He would make a good husband some day, perhaps a good father too, but somewhere in my hearts, I wondered if we would last. If he could be patient enough for my childish tantrums, if he could care for me like my sister, if he could wait for me till I was ready to give myself to him.

But that did not all matter at the moment. All that mattered was Evi’s books waiting for him at  Faj Caf. And he was serious about going to them.

“Won’t you stand up?” he pressed.

I reluctantly stood up and walked beside him towards Awolowo Hall, sulking.

“Grow up already”, he said as he doubled his pace.

“Slow down jare. Don’t you know how to treat a lady?”

“You want me to hold your hands and attract the attention of this bored Awo boys, who are just looking for scapegoats to make a mockery of?”

We were silent. As we left Awolowo Hall through one of the exits that led to the shortcut to Faj Hall that passed behind the Health Centre, he held my hands. We walked through the enveloping darkness and his grip grew cinched.

Then he suddenly threw my hands forward and gripped my waist and lurched at me with his lips in the raunchiest kiss ever. The kiss could have lasted for five seconds or eternity.

We dissolved and I could feel blood flush through my face. It was a public display of affection alright but the darkness had cordoned us off.

A column of torch-light wielding students suddenly appeared from behind a bend. We stepped on opposite sides of the bush path and watched them file past us. Evi’s eyes gleamed with affection. The sky was studded with myriads of stars and I just wanted to hold him and seat somewhere and stare at the starry skies with him.

We hugged again and he said “Goodbye”.

I watched him till he disappeared behind the bend.

***

I stepped out of Gyration to ease myself behind the bush path that led to Awo Hall and the unmistakable figure emerged from the darkness.

I tried to rush the stream of urine but there was no luck, the palmwine  had begun to take its toll.

“Boys are just animals”, she said as she walked past me, but slowed down her pace, so that I could quickly tidy up and walk beside her.

“If you had it like a hose, you would also whip it out”, I wiped my hands on thighs of my jeans.

“Ewww”, she exaggerated her expression, “You are just an animal, Dayo”

“So are you going to join us for the gyration after all or did Doctor refuse to grant you permission?”

“What are you saying? That I need permission from anybody to do anything?” her voice was rising and I was glad. She loved the feel of independence; she loved to assert herself as a free roving being nurtured on the Pop music of Tina Turner, TLC, Monica and Destiny’s Child.

She knew very little about mind games so my ploy worked. I urged her to accompany me to Awo Caf and I found her a green Kegites vest. Soon enough she was singing the hilarious songs of gyration, she even got a gong which she beat in time to the rhythm of the drums. She laughed heartily. She was having fun. She looked at me funny, like she actually could have a thing for me. And now I had left her when trouble broke out.

I said a quick prayer for Ify as I ran into Aluta Market for cover.

 

 

https://damiajayi.com/wp-content/uploads/2017/07/archi-studio-3-e1499686219719.jpg 429 600 Dami Ajayi https://damiajayi.com/wp-content/uploads/2017/03/Dami-Ajayi-Logo-WT.png Dami Ajayi2017-07-10 12:31:312017-07-10 12:31:31FICTION: The Night They Came

Tuesday Poem by Dami Ajayi

20 June 2017/in Tuesday Poetry

AUDITIONS

(For Peter)
We were catching sun,
what was left of it,
beside the shed of the
black squat woman, kind enough
to pick Gulder crowns for Peter’s audition.

Oliver de Coque’s Opportunity on repeat
& a bottle of stout for her troubles.

She pressed us to have her pepper soup;
we declined. Some news about
dressed vultures in chicken’s disguise lingers.

Peter does two hundred press-ups daily.
He is fitter than a fiddle.
He wants to be the next Ultimate man.

I have grown a paunch.
I want to be the next Joyce
& Nabokov & Camus & Faulkner.

I have picked crowns for my audition
at Up Lagos.

 

Oko, 2013.

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Tuesday Poem by Dami Ajayi

23 May 2017/in Tuesday Poetry

LAGOS BUNNIES II
(After Chris Ajilo)

 
In the hotel room where fantasies decay
there is no putrefying stench

no dingy remains
everything is as intact as a crime scene
save the evidence.

we don’t hold requiems for dreams here
when they die
we incinerate them

day dreams have the worst fate
we impale them ourselves
banish them into cisterns

their fates plugged in by sealants
liquid waste

in the land out of the range of mother’s eyes,
crying is an expansive futility
past warnings skirt by in quick quick trails
you should have known
for mother warned you about Lagos.

https://damiajayi.com/wp-content/uploads/2017/04/IMG_20161202_193636-e1495468781217.jpg 640 853 Dami Ajayi https://damiajayi.com/wp-content/uploads/2017/03/Dami-Ajayi-Logo-WT.png Dami Ajayi2017-05-23 06:00:282017-05-23 06:00:28Tuesday Poem by Dami Ajayi

Tuesday Poem by Victor Eyo

13 December 2016/in Tuesday Poetry

On Rejecting Conformity

Beyond gaol
where men are but shadows
taking turns to glimpse the sun

Beyond the buzz of the bus station
on Mondays
where men are like zombies

Beyond the slouch of returning fathers
the cockiness of returning youths
who will become slouching returning fathers

Only Eldorado
obscured by a stretch of marshland
the sun kissing the edges

But one man stuck his feet in all that mud
& another feet covered in sweat and shit
flies feasting, friends teasing

But now he is our hero
we recline in our easy lives
& marvel at his success.

____________

Victor Eyo is a Nigerian writer. He tweets @victoreyo66

https://damiajayi.com/wp-content/uploads/2017/03/Dami-Ajayi-Logo-WT.png 0 0 Dami Ajayi https://damiajayi.com/wp-content/uploads/2017/03/Dami-Ajayi-Logo-WT.png Dami Ajayi2016-12-13 05:31:202016-12-13 05:31:20Tuesday Poem by Victor Eyo
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Dami Ajayi

DAMI AJAYI

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Dami Ajayi finds a way to fuse being a writer into his busy doctor schedule. Known as Jolly Papa (JP for short) by his friends—a sobriquet he took from a song by Rex Lawson—the poet cum doctor cum music critic makes seamless transitions between these orbits around which his life rotates.

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